<p>The Pocasset Worsted Company Mill is an historic industrial complex at 75 Pocasset Street in Johnston, Rhode Island. It consists of a complex of four connected brick buildings, built between 1897 and 1902. The buildings form a rough U shape on a 3.38 acre parcel of land between Pocasset Street and the Pocasset River. The two legs of the U are nearly identical main mill buildings, constructed in 1897 and 1902; they are joined by an engine and boiler house. The mill office building is attached to the southern  mill building. The Pocasset Worsted Company was Johnston&#39;s largest employer in the early 20th century; its buildings were used for textile production until 1989.</p><br>
<p>The complex was listed on the National Register of Historic Places in 2006.</p><br>
<p>The Charles Brainerd House is a historic house located at 420 E. Main St. in Grafton, Illinois. The house was built in 1885 for Charles Corrington Brainerd, the superintendent of the Grafton Stone and Transportation Company. Architect William Embley designed the house in the Queen Anne style. The house has an asymmetrical plan which includes an angled front entrance and a multi-component roof with several gables and a pyramid above the entrance. Three of the gable ends feature coved cornices and decorative shingles and wood pieces. The front porch is supported by turned posts and features quarter round brackets and a spindlework cornice on its roof. The house was added to the National Register of Historic Places on February 5, 1998.</p><br>
<p>The Huerfano County Courthouse and Old Walsenburg Jail now the Walsenburg Mining Museum, are historic buildings in Walsenburg, Colorado in Huerfano County. The courthouse was built in 1904. The jail was built in 1896. The buildings were added to the National Register of Historic Places on April 23, 1973. The courthouse is located at 400 Main Street. The jail is located at 112 West Fifth Street. The jail held Bob Ford, who killed Jesse James, and labor leader Mary "Mother" Jones.</p><br>
<p>The Isaac Greenwood House is a historic house on New Hampshire Route 101 in eastern Dublin, New Hampshire, United States. The oldest portion of this house was built c. 1784 by Isaac Greenwood, a veteran of the American Revolutionary War. The house, a good example of additive architecture of the 19th century, was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Description and history</h2><br>
<p>The Isaac Greenwood House is located in eastern Dublin, on the north side of New Hampshire Route 101 just east of its junction with East Harrisville Road. It is a -story wood-frame structure, with a clapboarded exterior and side gable roof. The main facade is five bays wide, with windows arranged symmetrically around the center entrance. A two-story single-depth ell extends to the right, offset back from the main facade. The ell has irregular window placement, with five windows on each level, along with two entrances.</p><br>
<p>The house was built about 1784 by Isaac Greenwood, a Massachusetts native and veteran of the American Revolutionary War. When built, it was a -story Cape style house with a large central chimney (whose foundation survives in the basement). This structure was raised to a full two stories in the early 19th century, and the ell was added c. 1885. The interior of the oldest portion has retained some of its period finishes, and represents a good example of a local vernacular farmhouse.</p><br>
<p>The Moses Greenwood House, formerly the Dublin Inn, is a historic house at the corner of Pierce Road and Old County Road in Dublin, New Hampshire, United States. Built about 1783, it was substantially enlarged and converted into an inn in the early 20th century. The inn was the site of a meeting of notable Americans in 1945, who drafted the Dublin Declaration. The house was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Description and history</h2><br>
<p>The Moses Greenwood House is located in eastern Dublin, at the southeast corner of Old County and Pierce Roads. It is now a rambling -story frame structure, roughly H-shaped, but its shape is obscured by other additions and a single-story enclosed porch that encircles much of its exterior. Its roofs are studded with a variety of primarily gable-roofed dormers.</p><br>
<p>The oldest portion of this house was built c.1783 by Moses Greenwood, a veteran of the American Revolutionary War, and is a fairly conventional four-bay wood-frame structure. After being the Greenwood family home for a century, it was acquired by Mary Metcalfe, who added one wing in 1899, and Adele Thayer, who added a second wing in 1910. These additions, Georgian Revival in styling, were sympathetic to the style of the original house. It opened as the Dublin Inn in 1921.</p><br>
<p>In 1945, a group of American politicians, lawyers, and businessmen met at the inn, where they drafted the Dublin Declaration, a document calling for control of nuclear weapons and the broadening of the United Nations into a worldwide governing body. Attendees included future president John F. Kennedy. A second meeting, the Dublin Assembly on Peace, was held in October 1965. This event was hosted by Anna K. Yoss, owner of the Dublin Inn. The property was later adapted for use by a drug rehabilitation clinic.</p><br>
<p>The Ivanov-Rinov House is a historic house on Pierce Road in Dublin, New Hampshire, United States. This two story house and studio was built over a twenty-year period beginning in 1937 by Gouri P. Ivanov-Rinov, an artist born in Russian Turkestan. The house features distinctive construction methods not usually found in New England, since they are based on those from his homeland. The main block is a square constructed of rammed earth, with a rear extension that is wood framed, which houses the kitchen and studio. The exterior is finished in a gray stucco-like material, with wood trim. The interior of the earth walls has recessed niches for the display of artwork. The rammed-earth construction is believed to be the only building of its type in New England. The house was listed on the National Register of Historic Places in 1983.</p><br>
<p>Gouri Ivanov-Rinov was the son of a Russian military officer, who followed his father into imperial Russian service, and fled to the United States after the Russian Revolution. He built the house on land given to him by another artist, Alexander James. He built the rammed earth section first, gradually adding to it features that give it flavor of a Russian dacha. He operated a summer art school here from 1945 until 1965. The house was sold of his family by 1977.</p><br>
<p>The Shoreby Hill Historic District encompasses a major residential subdivision north of the central business district of Jamestown, Rhode Island. The 58 acre district was farmland until the late 19th century, and was laid out in two phases. The first, in 1898 includes the lower portion of the area, rising from the shore of Jamestown Harbor; the upper portion was laid out in 1911. The lower portion&#39;s layout is in part determined by its hill topography, with winding roads, while the upper portion has a more rectilinear grid street pattern. The district is roughly bounded on the east by Jamestown Harbor, on the north by Emerson Road, Prudence Lane, and Whittier Road, on the west by Plymouth Road , and Coronado Street, and on the south by Knowles Court. The area was designed by Ernest W. Bowditch as an exclusive and fashionable summer resort area, with larger houses on well-proportioned lots. The ninety houses in the district are predominantly shingle style.</p><br>
<p>The district was listed on the National Register of Historic Places in 2011.</p><br>
<p>The E.S. Levy Building, also known as the National Hotel Building is a historic structure in Galveston, Texas.</p><br>
<h2>History</h2><br>
<p>Originally the Tremont Opera house, some of the walls were retained when it was re-designed as the E.S. Levy department store in 1896.</p><br>
<p>The building was built for E.S. Levy & Co. and Ed S. Levy.</p><br>
<p>It was added to the National Register of Historic Places on November 13, 2003. The building is located at 2221-2225 Market Street.</p><br>
<p>First working in Colorado, Charles Bulger moved his architecture practice to Galveston in the 1890s. The 1896 E.S. Levy Building was one of his first commissions in Galveston and marked a new direction for his choice of claddings from red to brown brick, which also marked a color change for buildings in downtown Galveston. Bulger added an additional floor to the building in 1908.</p><br>
<p>The E.S. Levy Building was redeveloped in 2001 with ground leases and studio spaces on the four upper floors. It was designated in 2020 for a Texas Preservation Trust Fund Grant Program (TPFT). The TPFT covered $30,000 of the re-development costs for preservation of the vintage windows and other repairs to address storm damage.</p><br>
<p>The Moody Mansion, also known as the Willis-Moody Mansion, is a historic residential building in Galveston, Texas located at 2618 Broadway Avenue. The thirty-one room Romanesque mansion was completed in 1895. The home is named for William Lewis Moody, Jr., an American financier and entrepreneur in the cotton business who bought the home from Galveston socialite Narcissa Willis. The mansion was added to the National Register of Historic Places on May 13, 1994. Tours are offered, and the facilities can be rented out for weddings and other events.</p><br>
<h2>Construction and history</h2><br>
<p>The mansion was commissioned by Galveston socialite Narcissa Willis in 1893. Throughout her life, Willis had asked her husband, entrepreneur and cotton broker Richard S. Willis, to build a grand home. Willis demurred as he preferred to keep his assets liquid to be distributed among his ten children on his death. After Richard Willis&#39; died in 1892, Narcissa had the home she and her husband shared torn down and began plans to build a more opulent home on the site. For this act, Willis was estranged from her family until her death in 1899. Her children never visited the opulent mansion designed to bring them back to Galveston. Willis lived alone in the house with a single housekeeper who was paid $1,000 a year, three times the wages domestics earned at the time.</p><br>
<p>Willis commissioned an English architect, William H. Tyndall, to design the home. Following the style of Richard Norman Shaw, Tyndall used elements from different cultures and periods, leading to an eclectic appearance. The interiors were designed by Pottier & Stymus, a famous New York firm of the time that also worked for such clients as Thomas Edison, William Rockefeller, and President Ulysses S. Grant.</p><br>
<p>Upon Narcissa Willis death in 1899, her daughter Beatrice put the home up for sale. Libbie Moody, who lived in a home nearby the mansion, asked her husband, William Lewis Moody, Jr., to put in a bid for the mansion. After the Hurricane of 1900 devastated Galveston that September, many of the bidders pulled out of the sale. Moody won the mansion for $20,000, a fraction of the mansions over $100,000 worth. Moody, his wife and four children promptly moved into the home and celebrated their first Christmas at the mansion in 1900.</p><br>
<p>Members of the Moody family resided in the home until 1986 when it was turned into a historic museum commemorating the Moody family. Hurricanes continue to affect the history of the home. In September 2008, Hurricane Ike led to the flooding of the basement. Libbie Moodys potting room and the period kitchen were lost. As of July 2014, the basement was opened as the Galveston Childrens Museum.</p><br>
<h2>Layout</h2><br>
<p>The home has thirty-one rooms and five bathrooms. Tyndall incorporated many technological advances of the period including a one-passenger elevator, a dumbwaiter, speaking tubes in the pantry for communicating with the kitchen staff in the basement, heated drying racks in the laundry room, and lighting fixtures using both gas and electricity. The house also has its own rainwater cistern.</p><br>
<p>The home has four floors. The basement which contained the servant&#39;s quarters and kitchen is on the ground floor.</p><br>
<h3>First floor</h3><br>
<p>Entryway - The entryway is decorated with oak paneling of a classical design derived from the Doric order. Above the stairway is a stained-glass window espousing themes of welcome. As the window stands in an alcove formed by the front and back sides of the house it has been well protected from the elements and was only removed once when Mary Moody had the stained-glass re-leaded.</p><br>
<p>Parlor - The parlor is in an 18th-century French style and is the most opulent room in the house with gold on blue-grey silk wall coverings and gold-decorated plaster friezes. Despite its grandeur, guests did not often stay in this room for long as the Moodys preferred to entertain in the less formal library. In 1983 Hurricane Alicia caused extensive water damage to this room. Ten years and ten million dollars later, this room was able to be reopened.</p><br>
<p>Library - The library is in Empire Revival style. It has pink silk wall coverings decorated with rosettes. Rosettes can also be found in the lighting fixtures and on the door and window casings. The book cases only extend halfway up the wall to invite accessibility and also to facilitate personal decoration of the room.</p><br>
<p>Ballroom - The ballroom was still unfinished upon Narcissa Willis death. After the Moodys purchased the home, they used it as a junk room. As Mary Moody, the oldest daughter, approached her 18th birthday, Libbie Moody entreated her husband to repair the room for their daughters debut party. William Moody, Jr. accepted bids for the room, coming in as low as $6,000. However, ever conservative with his money, decided to finish the room by himself. The flooring was pine, purchased from Sears & Roebuck. The friezes were created from molds. The only item purchased for the room was a mirror. Four years after her coming-out party, Mary Moody and Edwin Clyde Northen were married in this room.</p><br>
<p>Conservatory - Libbie Moody enjoyed growing ferns in the conservatory. During parties, musicians would play from the conservatory.</p><br>
<p>Dining Room - The dining room is in Beaux Arts style with mahogany paneling. The ceiling is coffered and quite heavy. Hidden steel railroad beams support the ceiling. The bas-relief above the fireplace depicts hunters and hounds. While it appears hand-carved it is actually painted plaster.</p><br>
<p>Pantry</p><br>
<p>Children&#39;s Dining Room - Narcissa Willis designed this room for children and grandchildren who had yet to learn proper Victorian table manners. However, Libbie Moody found the room too small, and all meals in the Moody household were taken in the dining room.</p><br>
<p>Living Room - The living room is in Colonial Revival style.</p><br>
<h3>Second floor</h3><br>
<p>Libbies Room (Infirmary Room) - This room was designed for those sick with fever, common in the 19th century. Both the airways and the fireplace of this room are separate from those of the rest of the house. This room has its own restroom. As a child Libbie Moody asked her father if she could paint the wood in her room in a lighter color because she found the dark wood too oppressive. She received her fathers permission, and therefore the wood in this room is lighter than that in the others.</p><br>
<p>Mary&#39;s Room</p><br>
<p>Bathroom - This bathroom connects Mary&#39;s room with the Master Bedroom. It contains a toilet and a bidet. The tub has two fixtures for showering, one with a single spout and the other with a rainfall shower head, a feature unique to this bathroom.</p><br>
<p>Master Bedroom</p><br>
<p>Nursery Room - This room was never used as intended, but the physical features of the room allow for an understanding of its original purpose. The fireplace has small recesses on each side for warming bottles of milk, and there is a tub in this room on a raised dais of two steps that allows a nursemaid to survey the room and other potential trouble-making children while washing a baby.</p><br>
<p>William&#39;s Room</p><br>
<p>Shearn&#39;s Room</p><br>
<p>Sewing Room - This room was also used as a guest room and as a sleeping room for William Lewis Moody, Jr. during the summer months when his family was up north in Virginia. This room has its own bathroom.</p><br>
<h3>Third floor</h3><br>
<p>Four additional guest rooms</p><br>
<p>Auditorium</p><br>
<p>Additional Storage</p><br>
<p>Galveston Orphans Home, also known as Galveston Children&#39;s Home, was founded in 1878 by George Dealey </p><br>
<p>George Dealey established the Galveston Orphan&#39;s home in 1878. Already serving forty children the next year, control of the home was conveyed to a newly formed board. Then known as the "Island City Protestant-Israelite Orphans Home," the board re-organized in 1880 as a Protestant entity, with Moritz Kopperl chairing and Hallie Patrick Jack Ballinger serving as director.</p><br>
<p>The home was moved to this location in Galveston, Texas in 1880. The original Gothic revival building was constructed from 1894-1895 with funding from Henry Rosenberg. It was destroyed by the storm of 1900 and newspaper publisher William Randolph Hearst hosted a charity bazaar at the Waldorf-Astoria Hotel in New York City to raise funds for a rebuild. It was completed in 1902. The building was listed on the National Register of Historic Places on March 21, 1979. It is located at 1315 21st Street.</p><br>
<p>J.P. Bryan, a retired Texas oilman, purchased the Galveston Orphans Home on October 11, 2013 and thoroughly restored the building. The Bryan Museum opened its doors to the public in June 2015.</p><br>
<p>The Fenyes Estate is a historic two-acre estate complex located at 160-170 Orange Grove Boulevard in Pasadena along what was once known as "Millionaires&#39; Row". The Pasadena Museum of History maintains the century-old estate and offers docent-led tours of the Fenyes Mansion, the Curtin House, and the Finnish Folk Art Museum and gardens.</p><br>
<p>In 1905, Adalbert Fenyes, a Hungarian entomologist and the first Pasadena doctor to use an X-ray machine, and his wife Eva Scott Muse Fenyes commissioned a two-story house from architect Robert D. Farquhar. Designed in the Beaux Arts manner, the mansion was completed at a cost of $20,325, In 1911, architect Sylvanus Marston of Marston & Van Pelt completed an addition consisting of a studio, conservatory, and laboratory.</p><br>
<p>Like many of the large old homes along Orange Grove Boulevard, the Fenyes Mansion reflects the opulent neoclassical tastes popular at the turn of the century. Fenyes&#39; wife, Eva, was an accomplished artist and world traveler who met her husband in Cairo, Egypt.</p><br>
<p>The estate and gardens were used as sets for a number of early motion pictures for film industry notables such as Douglas Fairbanks and D. W. Griffith. The estate is listed as a Pasadena Cultural Landmark and was added to the National Register of Historic Places on September 5, 1985.</p><br>
<p>Marston & Van Pelt also designed the 1915 Curtin House, a smaller French-influenced house on the grounds for Eva Fenyes&#39; only daughter, Leonora Curtin, who inherited the mansion from her mother. Leonora Curtin had one daughter also named Leonora who was known as Babsie. A linguist who spent time among the Pueblo Indians, Babsie traveled widely, spending time in Santa Fe and Pasadena until she met Yrjo Alfred Paloheimo, a Finnish diplomat whom she married in 1946.</p><br>
<p>Paloheimo was Finlands Consul for the Southwest area and the Fenyes Mansion served as the Finnish consulates office for seventeen years. Paloheimo also established the Finnish Folk Art Museum, a Swiss chalet-style building. Paloheimo and his wife adopted four Finnish children, who together donated the estate to the Pasadena Museum of History in 1970.</p><br>
<p>Linden is a historic mansion in Natchez, Mississippi.</p><br>
<h2>Location</h2><br>
<p>It is located at 1 Linden Place in Natchez, Adams County, Mississippi.</p><br>
<h2>History</h2><br>
<p>The mansion was originally built in 1785, and records have been found going back to 1790.</p><br>
<p>In 1815, it was rebuilt for Thomas Buck Reed (1787–1829), who served as the United States Senator from Mississippi from January 28, 1826, to March 4, 1827, and again from March 4, 1829, to November 26, 1829; he was also the son-in-law of plantation owner Isaac Ross (1760–1838). The mansion was known as Reedland.</p><br>
<p>It was then purchased by Dr. John Ker (1789–1850), another plantation owner who knew Isaac Ross through the Mississippi Colonization Society. Ker expanded the mansion by adding the wings and a ninety-eight-foot gallery.</p><br>
<p>Shortly after he died, it became the residence of Jane Conner and her seven children. She added a two-story brick wing.</p><br>
<p>It was added to the National Register of Historic Places on September 1, 1978. It now used as a hotel.</p><br>
<h2>Architecture</h2><br>
<p>The house has two stories, with an apartment on each wing. The front porch has a wide gallery with white columns. Inside, there is a painting by John James Audubon (1785–1851), and a portrait of Swedish opera singer Jenny Lind (1820–1887).</p><br>
<p>The High Tops School, also known as Schoolhouse No. 9, is a historic school building at the corner of Reynolds and River roads in Westmoreland, New Hampshire. Built in 1789 and remodeled in 1846, it is one of a small number of district schoolhouses in the region to survive demolition or adaptation to residential use. The building was listed on the National Register of Historic Places in 1984, It is now owned by the Westmoreland Park Hill Meeting House and Historical Society.</p><br>
<h2>Description and history</h2><br>
<p>The High Tops School is located in a rural setting of western Westmoreland, on the south side of the multijunction meeting of River Road, Reynolds Road, and Poocham Road. It is a -story wood-frame structure, with a gabled roof and clapboarded exterior. Its main facade has the appearance of a Greek temple, with four pilasters supporting a projecting architrave and triangular pediment. The main entrance is in a recessed area between the middle two pilasters. The interior walls are finished in pine, while the floors are oak replacements for original pine. It retains blackboards and other fixtures dating to its mid-19th century remodeling.</p><br>
<p>The building was constructed in 1789, and was moved to its present location in 1846. At that time it was restyled to give its Greek Revival appearance, which was then enjoying significant popularity in the region. This work was done as part of a broad movement to improve both the location and condition of district schools throughout the state. It is one of few regional schoolhouses of the period to escape extensive later alteration.</p><br>
<p>The Jaffrey Center Historic District encompasses the traditional civic heart of the small town of Jaffrey, New Hampshire. The district lies to the west of the Jaffreys main business district, extending along Main Street  from Harkness Road to the Jaffrey Common, and along Thorndike Pond Road northward from Main Street. It includes the towns oldest civic buildings, and was its main center until the mills of East Jaffrey eclipsed it. The district was listed on the National Register of Historic Places in 1975.</p><br>
<h2>Description and history</h2><br>
<p>The district retains the feel of an 18th-19th century rural village, and includes elements dating to shortly after the towns incorporation in 1773. The old burying ground was established in 1774, and the old meeting house (now a cultural center) was raised in 1775. The district includes 19th century school houses, and houses that were built in the 18th and 19th centuries, in predominantly Georgian, Federal, and Greek Revival styles. One of the towns early industries is also represented, in the remnants of a tannery established c. 1810 at the east end of the district.</p><br>
<p>The areas importance as an economic as well as civic center arose after completion of the Third New Hampshire Turnpike (now NH 124). The turnpike brought travelers, who stopped at inns and taverns in the center, and goods, which were sold to local farmers. Melville Academy, a secondary school, was founded in 1832, and its 1833 building is now a local museum. The area remained of some significance even as East Jaffreys mills became more prominent, as it catered in the late 19th century to vacationers drawn to nearby Mount Monadnock.</p><br>
<p>The Jaffrey Mills is a historic mill complex at 41 Main Street, in the central business district of Jaffrey, New Hampshire. It consists of a connected series of primarily brick buildings flanking the Contoocook River just north of Main Street. Its oldest buildings, the original mill and office building, are on the west side of the river. They were built in 1868, and feature mansard roofs and banded dentil brick cornices. The mill building has a tower that originally sported a cupola, but this was removed early in the 20th century. In 1872 the building on the east side was built, and the two sides joined by timber-frame bridges were added in 1897, at the same time the east building was extended northward. Later additions to the north of the east building include a storage area and a loading dock. The mill complex, the only 19th-century industrial complex of its type to be built in Jaffrey, was listed on the National Register of Historic Places in 1982. It has been converted into residences.</p><br>
<p>The oldest buildings in the complex were built by Alonzo Bascom, the local postmaster. He sold them, unused due to his ill health, in 1871 to Stone Brothers and Curtis. They built the east side mills, and began the manufacture of woven cotton fabric, also using the water power to support a grist mill and various woodworking operations. Their business was short-lived due to the post-Civil War economic downturn, and they closed in 1876. The White Brothers of Winchendon, Massachusetts next took over the property, again using for textile manufacture until 1939, when it closed due to the Great Depression. Before it was converted to housing, it saw a number of varied light industrial uses in the mid-20th century.</p><br>
<p>The William B. Spencer House is a historic house at 11 Fairview Avenue in the Phenix village of West Warwick, Rhode Island. The -story wood-frame house was built in 1869–70, and is an elaborate and well-preserved instance of Late Victorian Italianate style. The house has an L shape, with forward projecting gable section on the left, in front of a rectangular main block. A single-story porch with slender columns and decorative woodwork valances extends across the front to the right of the projecting section. The windows on the projecting section are three-part rounded windows, each with distinctive and elaborate hoods. The building corners are quoined, and the roofline features dentil moulding and paired brackets. A series of smaller ells project to the right of the main block, and there is a small single-story addition to the rear. The main block is topped by an octagonal cupola with round-arch windows. The building&#39;s owner, William B. Spencer, was a local entrepreneur who made his fortune by dealing in the waste materials generated by the local cotton mills.</p><br>
<p>The house was listed on the National Register of Historic Places in 2012.</p><br>
<p>The American Tobacco Historic District is a historic tobacco factory complex and national historic district located in Durham, Durham County, North Carolina. The district encompasses 14 contributing buildings and three contributing structures built by the American Tobacco Company and its predecessors and successors from 1874 to the 1950s. Located in the district is the separately listed Italianate style W. T. Blackwell and Company building . Other notable contributing resources are the Romanesque Revival style Hill Warehouse , Washington Warehouse , the Lucky Strike Building , and Reed Warehouse; Noell Building ; Power Plant and Engine House ; and the Art Moderne style Fowler  Strickland  and Crowe  buildings.</p><br>
<p>It was listed on the National Register of Historic Places in 2000 as the American Tobacco Company Manufacturing Plant.</p><br>
<h2>Redevelopment</h2><br>
<p>Nearby, but not part of the multi-use redevelopment district, is the Durham Bulls Athletic Park, the studios of Fox 50, and the Durham Performing Arts Center. The Historic District is part of a large urban renewal project in downtown Durham designed to bring residents, businesses, and shoppers to the formerly blighted downtown area. The campus had been the headquarters of the American Tobacco Company, once the largest manufacturer of cigarettes in the United States. The mostly abandoned campus was purchased by the Capitol Broadcasting Company in 2001 as part of a plan to redevelop downtown Durham. Other companies have completed similar plans, Measurement Incorporated purchased and renovated the Brodie Duke Warehouse, the Imperial Tobacco Warehouse, and BC Remedy Building.</p><br>
<p>The Oaklawn Plantation is a historic cotton plantation house near Natchez, Louisiana. It is located on Louisiana Highway 494 southeast of Natchitoches in Natchitoches Parish, Louisiana. It has been listed on the National Register of Historic Places since March 28, 1979.</p><br>
<h2>History</h2><br>
<p>The mansion was built in 1830 for Narcisse Prudhomme, who held as many as 104 enslaved people on the property. After his death in 1859, the plantation was inherited by his son, Achille Prudhomme. Although the plantation survived the Civil War of 1861-1865 intact, after Achille&#39;s death, the land was divided into parcels by his heirs and sold off. In 1916, Charles Edgar Cloutier, the husband of Adeline Prudhomme, a great-grandniece of Narcisse Prudhomme, purchased the property.</p><br>
<p>It is now owned by filmwriter Robert Harling, author of the play, later a film, Steel Magnolias (dir. Herbert Ross, 1989).</p><br>
<h2>Architecture</h2><br>
<p>The house has three stories, fourteen chimneys and a large gallery. It is an example of French creole architecture.</p><br>
<p>Gloucester is a historic mansion in Natchez, Mississippi. It is located on Lower Woodville Road in South Natchez. It was designed by local architect Levi Weeks and was listed on the National Register of Historic Places in 1976.</p><br>
<h2>History</h2><br>
<p>Originally known as Bellevue, the mansion was built for David Williams in 1803. David Williams, according to census records of 1782, 1786 and 1792 was one of the wealthiest men in the country at the time. Bellevue was the centerpiece of a 5,000 acre plantation owned by David Williams adjacent to several thousand acres of cotton, tobacco and timber plantations that he owned. Later, the house was inherited by Maria McIntosh Williams, the wife of Winthrop Sargent (1753–1820), who served as the first Governor of the Mississippi Territory from 1798 to 1801. It was then inherited by their son, George Washington Sargent, who was killed inside the house by Union forces in the American Civil War of 1861–1865.</p><br>
<h2>Architecture</h2><br>
<p>It has two stories, with columns and a large portico on the front.</p><br>
<p>The Theodore Parker Lukens House is a historic house, located at 267 North El Molino Avenue, in Pasadena, California. Built in 1886–87, the house is among the oldest standing in Pasadena. Architect Harry Ridgway designed the Victorian house; while its design is mainly influenced by the Stick and Eastlake subtypes, it also includes elements of the Queen Anne style. The house features multiple deep gables and gabled dormers with decorative stickwork hanging from the edges. The two-story front porch is supported by decorative posts and features patterned bargeboards above the first floor designed to resemble curtains.</p><br>
<h2>Background</h2><br>
<p>The houses first owner, Theodore Parker Lukens, was a prominent horticulturalist and local real estate dealer. Lukens was a charter member of the Sierra Club and a friend of naturalist John Muir, and he was responsible for many of the clubs early activities in Southern California. Lukens also led California&#39;s first attempts at reforestation in the 1890s. For his efforts, Lukens was given the moniker "Father of Forestry", and and Mount Lukens in California are named for him.</p><br>
<p>The house was added to the National Register of Historic Places on March 29, 1984.</p><br>
<p>Glenburnie is a historic mansion in Natchez, Mississippi.</p><br>
<h2>Location</h2><br>
<p>It is located at 551 John R. Junkin Dr. in Natchez, Mississippi. It is next door to Elms Court.</p><br>
<h2>History</h2><br>
<p>The mansion was built in 1833 on land granted to Adam Lewis Bingaman (1790-1869) in 1798 by Sturges Sprague, an attorney. From 1901 to 1904, H.G. Bulky extended it in the Classical Colonial style.</p><br>
<p>It has been listed on the National Register of Historic Places since December 19, 1978.</p><br>
<p>Kincaid-Anderson House, also known as Fairfield, is a historic home located near Jenkinsville, Fairfield County, South Carolina. It was built about 1774, and is a two-story, brick Georgian style dwelling. It has a hipped roof and sits on a fieldstone foundation. It has small brick side wings that were added in a 1920s restoration. Also on the property is a two-story brick and frame work house that has been converted into a guesthouse. It was the home of James Kincaid, who was one of the first purchasers of cotton in the South Carolina upcountry and was possibly involved in the early development of a cotton gin.</p><br>
<p>It was added to the National Register of Historic Places in 1974.</p><br>
<p>Mayfair is a historic home located near Jenkinsville, Fairfield County, South Carolina. It was built about 1824, and is a two-story, weatherboarded Federal style frame residence with a hipped roof. The front façade features a central, two-story, polygonal pedimented portico. According to local tradition, Mayfair was the home of Burrell B. Cook, a moderately wealthy planter, who served in the Twenty-eighth General Assembly of South Carolina from 1828 to 1829.</p><br>
<p>It was added to the National Register of Historic Places in 1985.</p><br>
<p>Davis Plantation is a historic plantation house located near Monticello, Fairfield County, South Carolina.</p><br>
<h2>History and overview</h2><br>
<p>It was built about 1845, and is a two-story, white frame Greek Revival style house. It has a hipped roof and two mammoth chimneys. It features a gabled front portico supported by four square, paneled Doric order columns. The house was built by James B. Davis, descendant of Revolutionary War Captain, James Kincaid, and an early pioneer in South Carolina agricultural development.</p><br>
<h2>Significance</h2><br>
<p>It was added to the National Register of Historic Places in 1971.</p><br>
<p>Fonti Flora Plantation is a historic plantation house located near Monticello, Fairfield County, South Carolina. It was built about 1836, and is a 2-½ story clapboard residence set on low foundations. The front façade features a full width two-story Greek Revival portico supported by six square paneled piers. Additional decorative detail includes the Gothic Revival style tripartite Gothic windows on the front and side facades.</p><br>
<p>It was added to the National Register of Historic Places in 1979.</p><br>
<p>Blink Bonnie, also known as Robertson House, is a historic plantation house located near Ridgeway, Fairfield County, South Carolina. It was built in 1822, and is a 1-½ story clapboard frame house on a brick foundation. It features a one-story, hipped roof front porch supported by six double capped square columns. The house has a one-story addition and an old two-room brick kitchen with large open fireplaces, ovens and warmers.</p><br>
<p>It was added to the National Register of Historic Places in 1972.</p><br>
<p>Century House, also known as Brick House and Beauregard&#39;s Headquarters, is a historic plantation house located near Ridgeway, Fairfield County, South Carolina. It was built about 1853, and is a large, two-story brick house in the Greek Revival style. It features double-tiered, balustraded piazzas. During the American Civil War, Century House entertained and sheltered many refugees from Low Country South Carolina and Georgia and also served as the headquarters for General P. G. T. Beauregard and his staff when Columbia was evacuated upon the approach of Gen. William Tecumseh Sherman’s Army in 1865.</p><br>
<p>It was added to the National Register of Historic Places in 1971.</p><br>
<p>The Old Grafton County Courthouse is a historic courthouse building at 1 Court Street in Plymouth, New Hampshire. This modest wood-frame building was built in 1774 to serve as one of two courthouses for Grafton County, which had just been established; it is one of the oldest surviving civic structures in the state. It is now the museum of the Plymouth Historical Society. The building was listed on the National Register of Historic Places in 1982,</p><br>
<h2>Description and history</h2><br>
<p>The Old Grafton County Courthouse stands in the town center of Plymouth, on the south side of Court Street just west of the town hall. It is a square wood-frame structure, 34 ft on each side, with a truncated hip roof topped by a cupola. The open cupola has square posts at the corners, and is covered by a low-pitch hip roof. The main facade of the building faces north, and is three bays wide, with sash windows flanking the main entrance. The entrance is sheltered by a gabled hood supported by simple triangular bracketing. A small ell projects from the rear of the building. The interior of the building consists of a single large chamber, whose styling is reflective of 1876 alterations.</p><br>
<p>The courthouse was built in 1774, shortly after Grafton County was established, and Plymouth was named one of its shire towns. It was described at the time of its construction as having "a stately cupola out of proportion to the diminutive size of the structure". After a new courthouse was built in 1823, the building was sold and moved to the outskirts of Plymouth, and used as a wheelwrights shop, undergoing significant alteration to accommodate that function. In 1876 the building was acquired by Henry W. Blair, who sought to preserve the historic building. He had it moved it to its present location and adapted for use as a library, which was managed by the local Young Ladies Library Association. The cupola, lost during its use as a shop, was added back sometime before 1906. The building is now home to the Plymouth Historical Society.</p><br>
<p>The Spencer–Shippee–Lillbridge House, also known as the Crossways Farm and Walnut Brook Farm, is a historic farmstead at 12 Middle Road in East Greenwich, Rhode Island. The main house is a -story timber-frame structure, five bays wide and three bays deep, whose construction date is traditionally given as 1772. There is, however, architectural evidence that it may be older . The building has a small 19th century addition, whose purpose was to provide a staircase for hired farmhands to reach the attic, where their living space was. The downstairs spaces have retained much of their original Georgian fabric, although a pantry space has been converted into a modern kitchen. There are five outbuildings on the 1.3 acre property, including a 19th-century wagon shed and horse barn. The house, once the centerpiece of a 225 acre farm, was held by members of the interrelated Spencer, Shippee, and Lillbridge families from its inception until 2001.</p><br>
<p>The property was listed on the National Register of Historic Places in 2011.</p><br>
<p>Jones Hall, also known as The Meetinghouse at Marlow Hill or The Christian Church, is a historic church and municipal building on Church Street in Marlow, New Hampshire. Built between 1792 and 1800, it is a rare 18th-century meeting house in New Hampshire, although it has been altered somewhat and moved  from its original location; it was said to originally be a near duplicate of the Rockingham Meeting House in Vermont. Construction of the timber frame building was repeatedly delayed due to a shortage of funding. It first served as a combined religious and civic meeting house, with ownership residing with the society of pew owners.</p><br>
<p>When it was moved in 1845, a number of alterations were made. Its box pews were removed, a second floor was added at the gallery level, and stair locations were changed. The upper level was then used for church services. It is at this time that the building probably received its Greek Revival features. In 1890 the building was sold to the Jones family, who converted the upper level into a more secular auditorium space. The gallery was enlarged, and the stage area was improved for use in theatrical productions. A heating system was added, and the church spire was removed.</p><br>
<p>The Joneses donated the building to the town in 1897. The upper level is used for community events, and the lower level houses the town library.</p><br>
<p>The building was listed on the National Register of Historic Places in 1984.</p><br>
<p>The Lake Village Confederate Monument is located on the median of Lakeshore Drive, between Main and Jackson Streets in Lake Village, Arkansas. The marble monument depicts a Confederate Army soldier standing in mid stride with his left foot forward. His right hand holds the barrel of a rifle, whose butt rests on the monument base. He carries a bedroll draped over his left shoulder, and wears a Confederate cap. A cannon that served as a fountain was once part of the sculpture, but is now missing. The statue is about 6 ft high and 2 ft square; it rests on a marble foundation that is 20 ft long, 12 ft wide, and 8 ft high. The monument was erected in 1910 by two chapters of the United Daughters of the Confederacy at a cost of about $3,000.</p><br>
<p>The base has inscriptions on its east and west faces. The east face, or rear, reads "Erected by the / Captain McConnell / and / George K. Cracraft / Chapters, U.D.C. / A.D. 1910 / And Chicot County" / "We care not whence / They came, / Dear, in lifeless clay / Whether unknown or known to fame / Their cause and country still the same / They died and wore the gray. / Father Ryan." The west face, or front, reads "1861-1865 CSA / To the Confederate soldiers of Chicot / County, the record of whose sublime / Self sacrifice and undying devotion / Is the proud heritage / Of a loyal posterity."</p><br>
<p>The monument was listed on the National Register of Historic Places in 1996.</p><br>
<p>The Lake Village Post Office is a historic post office at 206 South Cokley Street in Lake Village, Arkansas. The single-story brick Colonial Revival building was built c. 1939; it is roughly square in shape, with a four-sided cupola topped by a bell-cast roof and pyramid. The interior features a mural drawn by Avery Johnson and installed in 1941; it was financed by the Treasury Department&#39;s Section of Fine Arts, and depicts cypress trees and deer.</p><br>
<p>The building was listed on the National Register of Historic Places in 1998.</p><br>
<p>The Dr. E.P. McGehee Infirmary is a historic medical complex at 614 South Cokley Street in Lake Village, Arkansas. The complex began as a single wood-frame structure in 1910 serving as a medical clinic for the local African-American population. It was the town&#39;s primary infirmary from its establishment until 1973. It was established and operated by Dr. Edward Pelham McGehee until his death in 1950. It is now home to the Museum of Chicot County.</p><br>
<p>The complex was listed on the National Register of Historic Places in 2005.</p><br>
<p>The A. Landi General Merchandise Building is a historic commercial building on Arkansas Highway 8 near Eudora, Arkansas in the village of Grand Lake. Built c. 1920, it is a single story wood-frame building with Plain Traditional styling, including a central section on its main facade with a raised parapet section over the centered entrance. The building is significant for its association with the Landi family, one of a small number of Italian immigrants to remain in the area after the plantation economy collapsed.</p><br>
<p>The building was listed on the National Register of Historic Places in 1992.</p><br>
<p>The Court at 1274–1282 North Raymond Avenue is a bungalow court located at 1274–1282 North Raymond Avenue in Pasadena, California. The court consists of five one-story bungalows arranged around a central courtyard. The houses are designed in a blend of the Colonial Revival and American Craftsman styles; the former can be seen in the entrance porticos on three of the buildings, while the latter is present in the homes&#39; overhanging eaves and exposed rafter tails. Owner Karl Valentine designed and built the court in 1924–25.</p><br>
<p>The court was added to the National Register of Historic Places on November 15, 1994.</p><br>
<p>The Esten–Bowen House is a historic house at 299 Ironmine Road in Burrillville, Rhode Island. The -story timber frame Cape style house was built c. 1790 by John Esten, a major landowner in eastern Burrillville in the second half of the 18th century. The main block is five bays wide and two deep, with a massive central chimney. A kitchen ell to the right of the main block appears to be an early addition. The house was held in the Esten family until 1879, by which time its surrounding property had been reduced to just 30 acre. This property was acquired by Esther Bowen in 1941 and the house was rehabilitated, with modest Colonial Revival alterations. The property includes a 19th-century shed, and foundational remnants of a blacksmithy and barn.</p><br>
<p>The house was listed on the National Register of Historic Places in 2011.</p><br>
<p>The Lymansville Company Mill is a historic industrial complex at 184 Woonasquatucket Avenue in North Providence, Rhode Island. The oldest portion of the complex, a three-story brick building which originally a textile spinning and carding building, was built in 1884. The mill was significantly expanded in subsequent years, with its last addition taking place in 1951. The Lymansville Company was founded in 1884 and closed in 1957. Auguste Albert Sack, the leading partner in the company, was a German immigrant with significant work experience in New England&#39;s textile industry.</p><br>
<p>The complex was listed on the National Register of Historic Places in 2012.</p><br>
<p>In 2016, a developer announced a $14-million plan to develop 101 apartments in the complex. The plan received a state historic building tax credit, as well as town tax incentives.</p><br>
<p>The Cherokee County Courthouse is a historic courthouse in Murphy, North Carolina, United States, the county seat of Cherokee County, that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The courthouse is located at the corner of Central and Peachtree Streets. The Classical Revival building, built in 1926 to a design by James J. Baldwin, was the second built on the site. The prior courthouse on the site burned twice, but after the second fire was not salvageable. The blue marble-faced two story building has a five-bay diagonal section facing the roadway that forms its entrance. It has a four-columned Corinthian Greek portico and is topped by a monumental cupola which rises 132 ft above the structure. The floors are marble. The courthouse is one of only a few in the United States built from marble quarried in its own county. The building’s interior, especially its courtroom, has retained much of its original woodwork and stone styling.</p><br>
<h2>History</h2><br>
<p>Cherokee County has a list of former courthouses either destroyed by fire or replaced by improved models. The first courts in the county were held at Fort Butler, which was constructed as a holding area for the Cherokee Native Americans during the Trail of Tears. In 1844 Archibald Russell Spence Hunter, a prominent merchant and the first postmaster in the area, had the first brick courthouse constructed on the current public square.</p><br>
<p>Right after the Civil War ended, Murphy’s courthouse was burned down on May 4, 1865, by the 3rd North Carolina Mounted Infantry under the command of Union Col. George Washington Kirk. Kirk did not yet know of the Confederacy’s surrender. Some of the raiders reportedly had pending criminal cases stored inside the courthouse.</p><br>
<p>Murphy’s third courthouse was constructed in 1868 by reusing the brick from the first courthouse. It was a square, two-story building that the county quickly outgrew. In 1892, a fourth, larger courthouse was built on the site of the current marble courthouse at the corner of Central and Peachtree streets, down the road from the traditional public square where previous courthouses sat. It was also constructed of brick, had a clock tower, offices on the first floor, a courtroom on the second floor, and fireproof vaults. On December 12, 1895, an accidental fire burned much of the building. An inspection determined the remaining walls were sturdy enough to restore, and the rebuilt courthouse opened in 1896.</p><br>
<p>On January 16, 1926, the courthouse was again destroyed by fire. An investigator concluded a janitor accidentally started the fire after lighting a match in the ladies’ room to look for supplies. The custodian denied that and said he instead found the flames in a supply closet. After three courthouse fires, county leaders decided to build the next building on the same site using an inflammable material: blue marble. The blue marble was brought from nearby quarries in the town of Marble less than 10 mi away. It was constructed at a cost of $256,000 and was dedicated on November 12, 1927.</p><br>
<p>On September 7, 1963, Cherokee County Sheriff Claude Anderson was shot three times at the courthouse and was critically wounded. A widespread manhunt was launched. The sheriff’s cousin Milt Anderson surrendered hours later. Claude Anderson survived and continued to serve as sheriff for years.</p><br>
<p>The courthouse served as an overnight shelter for residents when a deadly F4 tornado devastated the Murphy area during the 1974 Super Outbreak. The courthouse was listed on the NRHP May 10, 1979.</p><br>
<p>In 2017 the copper lantern which sits atop the cupola was removed to make crucial repairs to the lantern. It was in danger of collapsing in on itself due to structural deterioration over the years as well as being riddled with bullet holes. The lantern was restored locally with help from the Cherokee County Board of Commissioners, the Cherokee County Maintenance Department, Tri-County Community College Welding Department, as well as numerous other skilled local residents. After its repair, the lantern was put back in place in 2018.</p><br>
<p>Murphy High School’s prom has been held at the courthouse multiple times.</p><br>
<p>The Heaton and Cowing Mill is a historic industrial facility at 1115 Douglas Avenue in Providence, Rhode Island. The small mill complex consists of three connected building sections; the oldest is a c. 1832 rubble-walled two story mill building constructed by David Heaton and Martin Cowing on the banks of the West River. The partners used the facility to manufacture and dye cotton cloth. The building is the remnant of a much larger Geneva Worsted Company works that Heaton and Cowing built on the site in the 1860s and 1870s.</p><br>
<h2>History</h2><br>
<p>The mill was built in 1832 by David Heaton (1802-1864) and Martin K. Cowing (1807-1891) on the West River for small-scale textile manufacturing. The site grew over the years to include a repair shop, dye house, and finishing rooms. By 1891 the 1832 building was used for storage and a carpenter&#39;s shop. In 1896, the entire operation was sold to the Wanskuck Company. They added a large brick, two-story addition to the old mill between 1926 and 1937. The plant was closed down in 1957 due to southern competition and labor conflict.</p><br>
<p>In the second half of the 20th century, the building served a variety of light industrial businesses, and in 1982 a concrete block building was added to its rear. Most of its original waterworks infrastructure has either been filled in, or was destroyed by flooding in 2010. Eventually the property became vacant and blighted, as industrial pollutants contaminated the site.</p><br>
<p>The building was listed on the National Register of Historic Places in 2012. At this time the building was undergoing renovation and conversion for use as apartments.</p><br>
<p>In 2015 the complex opened as "Veterans for Tomorrow", a 20-apartment housing complex managed by the Providence Housing Authority for veterans who are homeless or at risk of homelessness.</p><br>
<p>The Mechanical Fabric Company is a historic factory complex on Cromwell and Sprague Streets in the West End neighborhood of Providence, Rhode Island.</p><br>
<h2>Description</h2><br>
<p>The complex consists of six brick buildings, arranged in roughly parallel rows in a city block bounded by Cromwell, Sprague, and Dexter Streets, and Elmwood Avenue. They were built between 1891 and about 1925. The Mechanical Fabric Company was a major player in the city&#39;s rubber industry, and was particularly notable as the site of innovations in the development and manufacture of pneumatic bicycle tires.</p><br>
<p>The complex was listed on the National Register of Historic Places in 2014.</p><br>
<h2>Renovations</h2><br>
<p>The former mill space was renovated to include several businesses. The larger building at 55 Cromwell Street has been rebranded as "Rooms & Works." It was briefly home to a food incubator, and in 2019 a local gourmet doughnut company moved in with a 5,000 square foot commercial kitchen. Also in 2019, the former mill building at 40R Sprague Street welcomed a two-level, 3,500-square-foot bar and brewery.</p><br>
<p>The Cannon Farm is a historic farmstead at 5470 NW 37th Court in Bell, Florida. The main house is a vernacular wood-frame structure that was originally built in 1898 as a schoolhouse when the area was part of Alachua County. The 10 acre parcel includes, in addition to the main house, a sugar cane grinder dating to the turn of the 20th century, and a corn crib and sugar kettle shed dating to the early years of the farm, c. 1932. The complex is a well-preserved small rural farmstead.</p><br>
<p>The farmstead was listed on the National Register of Historic Places in 2013.</p><br>
<p>The Spikebuck Town Mound and Village Site is a prehistoric and historic archaeological site on Town Creek near its confluence with the Hiwassee River within the boundaries of present-day Hayesville, North Carolina. The site encompasses the former area of the Cherokee village of Quanassee  and associated farmsteads. The village was centered on what is known as Spikebuck Mound, an earthwork platform mound, likely built about 1,000 CE by ancestral indigenous peoples during the South Appalachian Mississippian culture period.</p><br>
<p>Quanassee was known by the English in the colonial period as one of the historic Cherokee "Valley Towns". At one time, it had a population of several hundred, but by 1721 had declined, in part because of the Creek-Cherokee War (c. 1716–1752). It was razed at the beginning of the American Revolution by state militias during the Rutherford Light Horse expedition of fall 1776, because the Cherokee were allied with the British when colonial rebels launched the war. The area was known as Quanassee into the early 1800s. Most of the Cherokee were forcibly removed from North Carolina and the Southeast. The mound and village site was listed as an archeological site on the National Register of Historic Places in 1982.</p><br>
<h2>History</h2><br>
<p>Indigenous peoples lived for more than a thousand years along the river. People of the South Appalachian Mississippian culture era are believed to have constructed an earthen platform mound and village as the expression of their stratified society.</p><br>
<p>In their time, the historic Cherokee settled here, building their communal townhouse on top of the platform mound. It was their chief expression of public architecture, designed to provide a place for the community to gather for ceremony and for taking care of town issues. The townhouse would be regularly replaced and maintenance accomplished on the mound as well.</p><br>
<p>The town of Quanassee was documented by European colonists during the early colonial period as one of the Cherokee "Valley Towns" along the Hiwassee River, appearing on a 1725 map as Qunassee. The Cherokee occupied it from the 17th century into the 19th century. Some historic documents suggest that it was one of the towns attacked and damaged by American rebels in 1776 during the Revolutionary War, as the Cherokee supported the British.</p><br>
<p>The Cherokee in the late 1830s were forced by the United States to cede their land here and other areas of the region. Many of the people were gathered and held in this area prior to being forced on the Trail of Tears, beginning in 1838 in Tennessee, to Indian Territory west of the Mississippi River.</p><br>
<h2>20th century to present</h2><br>
<p>The mound and village areas were long held in private ownership by European Americans who settled here after the Cherokee. The larger town area was cultivated for crops, disturbing the topsoil layer.</p><br>
<p>In 1961, the site was still owned by State Representative Wiley A. McGlamery. He invited the first official excavation, which was performed by Frank Osborne. He found a fire pit in the village area and a post-mold pattern of an oval-shaped house. The oval shape was typical of historic Cherokee domestic houses of the English Contact period (ca. A.D. 1670–1740) Earlier they preferred a square or rectangular form.</p><br>
<p>In 1973 and 1975, an archeological team from Western Carolina University conducted excavations. they found artifacts dating to 3,000 B.C. (in the Woodland period) and 1,000 A.D. (early South Appalachian Mississippian culture period, when the earthen platform mound was believed to have been built. Evidence of a palisade that extended around the Cherokee town was also found. In addition, they found historic Cherokee and European artifacts, the latter attesting to the trade that colonists conducted with the Cherokee.</p><br>
<p>In total, "House patterns, fire pits, European trade goods, storage pits, burned timbers, and a variety of pottery, pipes, and beads" were found. These documented likely European contact, as well as the Cherokee connection to wide Native American trading networks that spanned much of the continent, reaching to the Great Lakes.</p><br>
<p>The archeological site was listed as "Spikebuck Town Mound and Village Site" on the National Register of Historic Places in 1982.</p><br>
<p>In 2000, the portion of the site containing the mound was acquired by Clay County, which is protecting it. The county developed an overlook sitting area near the mound. (See image). The Veterans Recreational Park off Anderson Street was developed nearby, in downtown Hayesville.</p><br>
<p>In addition, the Clay County Communities Revitalization Association (CCRA) is working to preserve other Cherokee resources in Hayesville: the Quanassee Path (named after the former Cherokee town), which highlights five Cherokee features near Hayesville; the Cherokee Homestead Exhibit, with reconstructions of typical paired winter and summer houses, and a corn crib; and the Cherokee Botanical Sanctuary.</p><br>
<p>The Archeological Conservancy acquired the former Cherokee town and farmstead site in 2011, and are working to conserve it. Believing that the site has great possibilities for research, they have permitted Western Carolina University to conduct archeological field schools there in an effort to map more findings and try to create a town layout. Students have used the technology of remote sensing to establish data about possible structures in a non-invasive way. By 2016, the team was able to conduct a targeted excavation, which has revealed "a large feature", likely a house.</p><br>
<p>The Court at 275 North Chester Avenue is a bungalow court located at 275 North Chester Avenue in Pasadena, California. Owner Fern Parlee built the court in 1928. The court consists of six buildings; five two-unit homes are arranged around a central courtyard, while a single one-unit home is located in a rear corner. The court&#39;s layout features multiple tiers separated by steps, an uncommon design for a bungalow court. The houses have a vernacular Spanish-influenced design with stucco walls, clay tile roofs, and wrought iron light fixtures.</p><br>
<p>The court was added to the National Register of Historic Places on November 15, 1994.</p><br>
<p>The Court at 533–549 North Lincoln Avenue is a bungalow court located at 533-549 North Lincoln Avenue in Pasadena, California. The court consists of four bungalows surrounding a central courtyard and driveway. The bungalows have an American Craftsman design and feature gabled roofs with exposed rafter tails, casement windows, and porches supported by Doric columns. T. G. Grabham, the original owner of the court, built the four homes between 1922 and 1925. Architect G. Tombelson designed the first two homes, which were both built in 1922; contractors Whitescarver & Pieton added the third home in 1923, and contractor Joseph G. Roth built the last in 1925.</p><br>
<p>The court was added to the National Register of Historic Places on November 15, 1994.</p><br>
<p>The Court at 638–650 North Mar Vista Avenue is a bungalow court located in Pasadena, California. Owner Karl Valentine built the court in 1927. The court consists of four single-family houses arranged alongside a courtyard with a duplex at the rear of the property. The buildings are designed in the Colonial Revival style and feature classical entrance porticos and wide eaves with exposed rafter tails.</p><br>
<p>The court was added to the National Register of Historic Places on November 15, 1994.</p><br>
<p>The Court at 940-948 North Raymond Avenue is a bungalow court located at 940-948 North Raymond Avenue in Pasadena, California.</p><br>
<p>Owner H. R. Pompeyon built the court in 1929.</p><br>
<p>The court consists of five homes arranged on both sides of a narrow courtyard. Architect N. S. Bungus designed the houses in the Spanish Colonial Revival style. The homes feature stucco walls, clay tile roofs, arched entrances, wrought iron light fixtures, and ceramic tilework.</p><br>
<p>The court was added to the National Register of Historic Places on November 15, 1994.</p><br>
<p>The Minot–Sleeper Library is the public library of Bristol, New Hampshire. It is located at 35 Pleasant Street, in an 1885 brick building that is listed on the National Register of Historic Places. The library was the first in the state&#39;s Lakes Region to have a purpose-built building. The library offers borrowing service, as well as Wifi, Internet-accessible computers, and a variety of programmed activities.</p><br>
<h2>Architecture and history</h2><br>
<p>The Minot–Sleeper Library is located in the town center of Bristol, on the south side of Pleasant Street west of Central Square. It is a single-story masonry structure, built out of red brick, with a gabled slate roof and granite trim. Stylistically it has a mix of Late Victorian elements, with Gothic-arched windows and roof gables with Stick style woodwork. The interior retains most of its original finishes on the main floor; the basement was modernized as an expansion in 1970s, and a major addition repeated the original&#39;s details in 2012-13.</p><br>
<p>The town&#39;s first library was founded in 1823, and was a private library open by subscription. The town made a short-lived attempt to establish a public library in 1868, which was abandoned in 1872 with the books auctioned off. In 1883, Judge Josiah Minot and Colonel Solomon Sleeper, both natives of Bristol, offered the town the land and funding for a building, as well as further support for the acquisition of a collection. This offer was accepted by the town, and this building was completed in 1885, designed and built by a local contractor, Ebenezer Hutchinson.</p><br>
<p>The Orford Street Historic District encompasses a particularly attractive stretch of Orford Street  in Orford, New Hampshire. It was described as early as the 18th century as "the most charming country village", with a tree-lined promenade that is still a focus of the town center. The district consists of about 0.5 mi of Orford Street, between its junctions with New Hampshire Route 25A and Archertown Road, and was listed on the National Register of Historic Places in 1977.</p><br>
<p>The west side of Orford Street lies between the street and the Connecticut River, and is lined with a series of 18th and 19th century residential and civic buildings. Prominent among them are a series of Federal-style houses, built between 1773 and 1839, along what is called The Ridge. These houses exhibit the influence of architect Asher Benjamin, who is believed to have designed one of them. Other properties in the district include the brick Masonic hall (1840, formerly a Universalist church), the Gothic Revival Orford Congregational Church (1850), and the 1851 academy. Near the southern end of the district stands its only surviving commercial building, at the southwest corner of Bridge Street. The east side of Orford Street is dominated by a large common with tree-lined promenade. The promenade consists of a now-paved lane flanked on either side by mature trees, and was first laid out about 1800. At the northernmost end of the district, just east of the promenade, is the town cemetery, established in 1773 on land donated by Israel Morey.</p><br>
<p>The Norman and Marion Perry House is a historic house at 352 Ellsworth Hill Road in Campton, New Hampshire. The house was built in 1960 to a design by Hugh Stubbins, and is a residential embodiment of Modernist architecture. The property was landscaped by Leon Pearson, and has views of the surrounding mountain landscape. The house is currently a privately owned residence.</p><br>
<p>The house was listed on the National Register of Historic Places in 2012,</p><br>
<p>The Piermont Bridge carries New Hampshire Route 25 over the Connecticut River to the contiguous Vermont Route 25 between Piermont, New Hampshire and Bradford, Vermont. It is a Pennsylvania steel through truss bridge, built by the Boston Bridge Works in 1928. The bridge consists of a single span with a clear span of 352 and an overall length of 35410". The roadbed is 207" wide, with a vertical clearance of 147". The bridge is approximately 25&#39; above the river. The western  abutment is made of split granite quarried from nearby Fairlee Mountain, while the eastern abutment is an early concrete construction built in 1908 by John Storrs for an earlier bridge. The bridge underwent a major renovation in 1993 which included the addition of a sidewalk  and replacement of much of the bridge decking.</p><br>
<p>The bridge was built in the aftermath of major rain and flooding in 1927 along the Connecticut River, which washed away several bridges and caused significant damage in Vermont. The Piermont Bridge was the longest bridge built after this flooding, replacing a two-span Town lattice truss bridge dating back to 1875. The center pier of the older bridge was knocked down to the waterline and is still visible. The eastern abutment, built in 1908 in a relatively early use of structural concrete, needed to be strengthened to accommodate the increased weight of the new steel bridge. This was accomplished by adding new concrete to the land side of the abutment, preserving the earlier work.</p><br>
<p>The bridge was listed on the National Register of Historic Places in 2001. It is owned by the states of New Hampshire (90%) and Vermont (10%).</p><br>
